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Voyage of the Damned (Doctor Who) |
| 192 – "Voyage of the Damned" | |
|---|---|
| Doctor Who episode | |
 The interstellar cruise liner Titanic, the main setting of the episode, orbits above Earth on Christmas Eve. |
|
| Cast | |
| Doctor | David Tennant (Tenth Doctor) |
| Companion | Kylie Minogue (Astrid Peth) |
| Guest stars | |
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| Production | |
| Writer | Russell T Davies |
| Director | James Strong |
| Script editor | Brian Minchin |
| Producer | Phil Collinson |
| Executive producer(s) | Russell T Davies Julie Gardner |
| Production code | 4.X |
| Series | Series 4 |
| Length | 72 minutes |
| Originally broadcast | 25 December 2007 |
| Chronology | |
| ← Preceded by | Followed by → |
| "Last of the Time Lords" (episode) "Time Crash" (mini-episode) |
"Partners in Crime" |
| IMDb profile | |
"Voyage of the Damned" is an episode of the British science fiction television series Doctor Who. First broadcast on 25 December 2007, it is 72 minutes long and the third Christmas special since the show’s revival in 2005. The narrative continues from the final scene of "Last of the Time Lords", when a luxury space cruiser called the Titanic breached the walls of the TARDIS. The ship's captain, Hardaker (Geoffrey Palmer), sabotages the ship shortly after the Titanic's collision with the TARDIS. The Doctor (David Tennant) works with a waitress named Astrid Peth (Kylie Minogue) to prevent an imminent collision with Earth.
The episode marks the only appearance of Australian singer and actress Kylie Minogue as the Doctor's companion, Astrid Peth. Executive producer and writer Russell T Davies described her casting as a "very exceptional case", having written the part of Astrid specifically for Minogue. On its original airdate, "Voyage of the Damned" was watched by 13.31 million viewers, the highest viewing figure for Doctor Who since the 1979 serial City of Death. It was the second most-watched programme of 2007, beaten only by the episode of EastEnders which aired immediately after it. Critical opinion about the episode was divided; the writing and Minogue's performance were both praised and criticised.
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The episode continues from the end of the third series finale "Last of the Time Lords", when the TARDIS collided with the Titanic.12 To investigate further, the Doctor runs the TARDIS's self-repair programme and boards the Titanic, where he discovers that the "ship" is an interstellar cruiser from the planet Sto. Modelled after the Earth ocean liner of the same name, the ship is orbiting present-day Earth to observe "primitive cultures"–specifically, Christmas. He decides to stow away, only telling waitress Astrid Peth (Kylie Minogue). The Doctor joins Astrid on a brief excursion to Earth, along with married couple Morvin and Foon Van Hoff (Clive Rowe and Debbie Chazen), an alien with a spiked red head named Bannakaffalatta (Jimmy Vee), and historian and guide Mr Copper (Clive Swift). However, the populace of London fled in fear of a third consecutive extraterrestrial attack,34 and only a few people remain in the city, most notably a newspaper seller called Wilfred Mott (Bernard Cribbins).
After the party return from the excursion, the ship's captain, Hardaker (Geoffrey Palmer), dismisses all his officers to commit an act of sabotage; he magnetises the hull of the ship, causing meteors to collide with it. The resulting collision kills most of the passengers on-board and draws the ship to an extinction level collision with Earth. The Doctor makes contact with Midshipman Alonzo Frame (Russell Tovey), a crew member who survived the collision, to help him stabilise the ship.
En route to the bridge, the Doctor's party are repeatedly attacked by the Host (voiced by Ewan Bailey), androids resembling angels who were programmed to kill survivors of the collision. The Doctor breaks from the party and attempts to reach the control point for the Host. He is taken to the Host's leader, former cruise line owner Max Capricorn (George Costigan). He was bitter about being forced out of his own company and plotted the Titanic's inevitable collision with Earth to bankrupt the company. To save the Doctor, Astrid rams Capricorn with a forklift. Astrid and Capricorn ride off a precipice to their deaths.
The Doctor uses the Host to reach the bridge, where he uses the heat from entry into the Earth's atmosphere to restart the ship's engines. After stabilising the ship, the Doctor realises that the teleport bracelet Astrid was wearing backed-up her molecular pattern. However, the damaged system can only partially regenerate Astrid. The Doctor reluctantly allows her to dissipate into atoms, so she can fulfil her dream of exploring the universe. The party then amicably part ways, vowing not to forget the Doctor's and Astrid's actions.
During the third series press launch in March 2007, the production team was approached by Will Baker, Kylie Minogue's creative director, about her appearing in the show. Executive producer Julie Gardner replied that Minogue could guest star if her schedule was free.5 Minogue officially registered her interest on 26 March 2007, and was subsequently given a one-off role as the Doctor's companion.56 Minogue's appearance would allow the show to easily transfer the lead companion role from Martha Jones (Freema Agyeman) to "Penny"—the intended companion for the fourth series, eventually reprised by Catherine Tate as Donna Noble—and provide a "big name" star to appear in the Christmas special.5 Her casting was first reported in the News of the World in April 2007.7 Davies initially dismissed the story, but Baker and Minogue contemporaneously confirmed she would star in the show.689 Her role was officially confirmed on 3 July 2007.10 Both Minogue and Doctor Who had acknowledged each other before: "The Idiot's Lantern" mentions Minogue as a real person;11 and Baker, a fan of Doctor Who, included aspects of the classic series in Minogue's tours: the Raston Warriors (from The Five Doctors) in the Fever tour; and the Cybermen in the Showgirl tour.6
Minogue met designer Louise Page four times during pre-production to discuss her costume. Page rejected a long dress because it was atypical to Minogue; she instead elected for a "cigarette girl" image, similar to a "1950's [...] cinema usherette". Five costumes were made for different scenes and Minogue's stunt doubles, and each part of each costume was made separately to keep Minogue's role secret. After filming, Minogue told Page that the costume was "the most comfortable [she] had worn in years".6
The episode was primarily written by Russell T Davies after Minogue was cast; Davies described his pitch to Minogue as "busking".6 The character of Astrid Peth was written for Minogue; Davies later stated that Minogue was a "very exceptional case": he considered writing a role specifically for one actor "dangerous territory" because the desired actor may be unavailable or decline the part.12 In early drafts of the episode, Astrid did not die; Davies decided Astrid's death was necessary to allow Minogue focus on her musical career.6 Davies described the original nature of her death—falling over a precipice during a fight with Capricorn—as "fleeting".5 He intensified the scene by changing Max from mobile to cybernetic and Astrid's attack from an altercation to a fork-lift truck.5 Davies felt the revised scene was "such a beautiful image" and romanticised Astrid's "ultimate sacrifice".56
Davies based the episode on the traditional disaster movie format. He was highly influenced by the 1972 film The Poseidon Adventure: he considered "[turning] the spaceship upside down" before cutting the concept for monetary constraints;5 and the character of Foon Van Hoff (Debbie Chazen) was heavily based on Belle Rosen (Shelley Winters). He diverged from the trope in its climax; the format of Doctor Who dictated the requirement of an antagonist: Max Capricorn, whose plan was to sabotage the ship as part of an insurance scam.6 Davies based the portrayal of Kansas in the 1939 film The Wizard of Oz as an analogue for Sto.13 The plot also borrows heavily from the 1998 computer game Starship Titanic, which was conceived by former Doctor Who script editor Douglas Adams.
The episode includes several references to outside the show's fictional universe: the episode is dedicated to Verity Lambert, Doctor Who's founding producer, who died on 22 November 2007, a day before the show's forty-fourth anniversary;14 and the malfunctioning Host stuttering over the name "Max" is a reference to 1980s virtual presenter Max Headroom;14 Davies inserted references to other Doctor Who episodes in the script: he emphasised society's increasing awareness of aliens and the tradition of London's consecutive Christmas attacks in the script, describing the latter as "becoming a bit of an in-joke";6 the Doctor's use of the catchphrase "allons-y Alonzo" in the episode when he helps Frame stabilise the ship continues a running gag originating in "Army of Ghosts";515 and the Host continue the thematic motif of angels. Angels previously appeared in "Blink", where the antagonists of the episode were Weeping Angels, and in "The Sound of Drums" and "Last of the Time Lords", where the Master's communication network was called the "Archangel Network".14 Despite angels being the antagonist in two episodes that aired close to each other, which dismayed writer and executive producer Russell T Davies when he read Steven Moffat's script for "Blink", the Host are functionally different as subordinate "robot butlers".13
Filming primarily took place between 9 July 2007 and 11 August 2007;5 the first scene filmed depicted the group being accosted by the Host while crossing over the engines.13 On 12 July, Tennant's mother, Helen MacDonald, began to succumb to her cancer. Filming was rescheduled to allow Tennant to be present when she died and was buried; she died on 15 July and was buried on 21 July.51617 During Tennant's absence, scenes in the Titanic's reception area were filmed at the Exchange in Swansea and the Coal Exchange in Cardiff Bay. Tennant filmed his scenes in the area on the 16 July and 17 July.5 The last use of the Coal Exchange was on the 18th; scenes depicting the ship's collision with meteors were filmed on that day.5
One week of filming was conducted primarily at an industrial complex in Pontypool which provided the sets for Deck 31—Capricorn's refuge and command centre—and the various stairwells and corridors of the ship. Scenes on Deck 31 were filmed on 19 July and 20 July. A double, Danielle de Costa, operated the fork-lift truck because Minogue didn't have the required license.5 Shooting was staggered as a result of Tennant's departure: 21 July focused on the supporting characters; and 23 July focused on Tennant. The aftermath of the meteor strike was filmed between 25 July and 27 July.5
Filming returned to the Exchange in Swansea to film two more scenes: The denouément of the episode was filmed on 28 July; and the pre-credits sequence on 30 July. The most important day of filming was on 31 July 2007: an evening location shoot of the party's arrival in London. Before filming commenced, Minogue covered her death scene above a chroma key mattress.5 The scene in London commenced filming at sunset in Cardiff city centre.5 For security concerns—specifically, protecting Minogue—the street was sealed off for the first time since the show's revival in 2005.56
Filming finished in the first two weeks of August 2007: the closing scene was filmed in Cardiff Docks on 1 August; Hardaker's death was filmed at Upper Boat on 2 August; scenes in the ship's kitchen was filmed on 3 August; and scenes on the bridge were filmed on 6—8 August. The last day of filming was on 21 August 2007; cameo scenes by BBC reporters Jason Mohammad and Nicholas Witchell were filmed at BBC's broadcasting houses in Llandaff and London.5
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Composer Murray Gold, arranger Ben Foster, and singer Yamit Mamo make cameo appearances as part of the ship's band.1814 Mamo, primarily a soul singer, was approached by Gold after his friends saw her performing, and she unconditionally accepted his offer.6 She performed the songs "My Angel Put the Devil in Me" and "The Stowaway" on the third series soundtrack.614 The latter was specifically composed for the episode and was recorded in September 2007 at AIR Studios in London. The song features everyone who was present in the studios during recording as backing vocals. "The Stowaway" continues the tradition of a Christmas song from "The Christmas Invasion" ("Song for Ten") and "The Runaway Bride" ("Love Don't Roam"). Gold loosely based the song on the episode, and set it from the captain's point of view. The song was influenced by Irish folk music, and contrasts the upbeat "under deck" feeling with melancholy lyrics about unrequited love. The episode features a new version of the theme tune during its credits, comparable to Peter Howell's version from the 1980s, which contains a new bass line, drums, and piano.14
Overnight figures estimated that the episode's Christmas Day broadcast was watched by 12.2 million viewers. The final viewing figures were 13.31 million viewers with a peak of 13.8 million, the second highest audience for any programme during 2007: the episode of BBC soap EastEnders which aired after "Voyage of the Damned" was watched by 13.9 million viewers.1920 The viewing figure is the highest for the new series, exceeding the previous record set by "Rose". The figure is also the highest for Doctor Who overall since 1979, specifically, the final episode of "City of Death".2122 The episode's Appreciation Index rating was 86 ("excellent"), above the average score of 77 for drama programmes, and was the highest Index rating for any programme shown on terrestrial television on Christmas Day.23
The episode was criticised by Millvina Dean, the last living survivor of the 1912 Titanic sinking, who stated that it was "disrespectful to make entertainment of such a tragedy."24 The organisation Christian Voice expressed offence at the religious imagery of a scene in which the Doctor is lifted through the ship by robot angels, believing the messianic portrayal of the Doctor as "inappropriate";25 however, in April 2008, vicars were encouraged to use the same scene to "illustrate themes of resurrection, redemption and evil" to young people.26
Gareth McLean, who reviewed a preview screening for The Guardian's TV and radio weblog, appreciated the episode's use of "the disaster movie template" and came to a favourable overall conclusion: "For the most part, The Voyage of the Damned is absolutely smashing." Its main flaw, in his view, was the "blank and insipid" acting of Kylie Minogue.27 James Walton of The Daily Telegraph gave the episode a positive review, summarising it as "a winning mixture of wild imagination and careful writerly calculation".28 Alex Clark of The Observer commented that the death toll was rather high, but he still thought the episode was "an oasis of cheeky nonsense and careless invention".29 Harry Venning of The Stage concluded his positive review of the episode by stating it "was well up to Doctor Who's impeccably high standards".30 Doctor Who Magazine placed two of the deaths in the episode in its list of the top 100 deaths in the history of the show. Bannakaffalatta's death, a self-sacrifice to save the Doctor's party, was placed in the "top 20 tearjerkers" category. Astrid's death was given the title of "Doctor Who's all-time greatest death scene", commenting it "ticks boxes in all of our main categories [(gruesome, scary, self-sacrifice, tearjerking, surprising)]", and "her death would truly make a glass eye cry."31 Tim Teeman of The Times gave the episode a negative review, stating that "It was boring, despite the endless dashing about and CGI flimflam."32 The Daily Mirror commented the episode had "some brilliant psychedelic Pink Floyd-esque imagery", "great baddies", and "neat jokes", but lamented that "the plot was a mess, consisting mostly of one hi-tech chase scene after another, and it descended into noise and bluster."33
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Wikiquote has a collection of quotations related to: "Voyage of the Damned" |
Voyage of the Damned on TARDIS Index File, an external wiki
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