Protest 

Demonstrators march in the street while protesting the policies of the World Bank and International Monetary Fund on 16 April 2005.

Protest expresses relatively overt reaction to events or situations: sometimes in favor, though more often opposed. Protesters may organize a protest as a way of publicly and forcefully making their opinions heard in an attempt to influence public opinion or government policy, or may undertake direct action to attempt to directly enact desired changes themselves.1

Self-expression can, in theory, in practice or in appearance, be restricted by governmental policy, economic circumstances, religious orthodoxy, social structures, or media monopoly. When such restrictions occur, opposition may spill over into other areas such as culture, the streets or emigration.

A protest can itself sometimes be the subject of a counter-protest. In such a case, counter-protesters demonstrate their support for the person, policy, action, etc. that is the subject of the original protest.

Contents

Historical notions

Unaddressed protest may grow and widen into dissent, activism, riots, insurgency, revolts, and political and/or social revolution, as in:

Forms of protest

Commonly recognized forms of protest include:

Protesters outside the Hotel Washington during the Million Worker March.

Public demonstration or political rally

Some forms of direct action listed in this article are also public demonstrations or rallies.

Written demonstration

Written evidence of political or economic power, or democratic justification may also be a way of protesting.

Pro-life activists demonstrating in front of the Supreme Court in Washington, D.C.

Civil disobedience demonstrations

A semi-nude protest facing Insurgentes Avenue north of Paseo de la Reforma in front of the Monument to Mothers by the Movimiento de los 400 Pueblos on 24 Sept 2008 in Mexico City.

Any protest could be civil disobedience if a “ruling authority” says so, but the following are usually civil disobedience demonstrations:

As a residence

Destructive

Direct action

Protesting a government

Demonstration against the 2004 NATO summit in Istanbul.

Protesting a military shipment

By government employees

Job action

In sports

During a sporting event, under certain circumstances, one side may choose to play a game "under protest", usually when they feel the rules are not being correctly applied. The event continues as normal, and the events causing the protest are reviewed after the fact. If the protest is held to be valid, then the results of the event are changed. Each sport has different rules for protests.

By management

By tenants

By consumers

Anonymous demonstration in London against the Church of Scientology.

Information

Civil disobedience to censorship

Literature, art, culture

“Imagination is the chief instrument of the good…art is more moral than moralities. For the latter either are, or tend to become, consecrations of the status quo, reflections of custom, reinforcements of the established order. The moral prophets of humanity have always been poets even though they spoke in free verse or by parable…Art has been the means of keeping alive the sense of purposes that outrun evidence and of meanings that transcend indurated habit."-John Dewey

John Dewey in this quote explains protest in its artistic form, but also expresses how transcending certain habits of different periods is of central necessity when undertaking protest in its various forms. Artistic protest can range from protest in literature, movies, music, painting, sculpture etc. The broad forms of artistic protest vary, as in music it can range from a backlash against a popular form of music, or musical minimalism that could be used to portray apathy towards a music type or music as an art form as a whole. For example, much of Sonic Youth’s music can be cited as a form of protest in that they use alternatives to the normative ways of making music that go directly against popular music and incorporate noise and guitar feedback in the writing process, and write songs relying heavily on personal innovation rather than personal interpretation and innovation that relies on pop artists, songs and styles. The importance of Art as protest can be summed up by Josh Lunkin from the book Invisible Suburbs:Recovering Protest Fiction in the 1950s United States. In this he states “The domestic containment era, sometimes defined as contiguous with the ‘long 1950s,’ was over by 1962. In that year, John Henry Faulk successfully sued the Red Hunters who had blacklisted him; Michael Harrington revealed the existence of poverty (The Other America); Stan Lee and Steve Ditko redefined the superhero as an impoverished wisecracking rebel (The Amazing Spider-Man); Old Left icon John Hammond signed Bob Dylan to Columbia Records…”2

The effects of such protest can be measured in the change continued from the liberal growth in the 1950s…liberalism remained the dominant paradigm in U.S. politics, peaking with the landslide victory of Lyndon B. Johnson over Barry Goldwater in the 1964 presidential election. Lyndon Johnson had been a New Deal Democrat in the 1930s and by the 1950s had decided that the Democratic Party had to break from its segregationist past and endorse racial liberalism as well as economic liberalism.citation needed

Religious

Usage in American English

In American English, the verb protest often acts transitively: The students protested the policy. Elsewhere one can still find intransitive usage: The students protested against the policy; or: The students protested in favor of the policy.

Economic effects of protests against companies

A study of 342 US protests covered by the New York Times newspaper in the period 1962 and 1990 showed that such public activities usually had an impact on the company's publicly-traded stock price. The most intriguing aspect of the study's findings is that what mattered most was not the number of protest participants, but the amount of media coverage the event received. Stock prices fell an average of one-tenth of a percent for every paragraph printed about the event.3

Protest and New Social Movements

One feature of new social movements is their concern with democracy from below or ’direct democracy’, which differs from ‘representative democracy’. Whereas the ‘old’ labour movement made its demands and aired its grievances via the apparatus of the state, new social movements question this mode ofpolitical organization and interest intermediation, aiming at ‘the creation of a new conception of democracy’ or a new model of democracy.4

New social movements are then protest that has gathered support and ingrained itself in a rather significant proportion of society. One such example of these new social movements then is the “Anti-Capitalist Campaigns in Global Civil Society.”5 This movement is a result of the modern globalization and because the “nation-states are losing their authority as, towards the top of the system, planetary interdependence and the emergence of transnational political and economic forces shift the locus of real decision making elsewhere, while, towards the bottom, the proliferation of autonomous decision-making centres endows the ‘societal’ level of present-day societies with a power they never knew during the development of the modern state.”6

See also

References

  1. ^ St. John Barned-Smith, "How We Rage: This Is Not Your Parents' Protest," Current (Winter 2007): 17-25.
  2. ^ Edited by Josh Lukin. Invisible suburbs : recovering protest fiction in the 1950s United States. Jackson : University Press of Mississippi, c2008.
  3. ^ Deseret Morning News, 13 Nov. 2007 issue, p. E3, Coverage of protests hurts firms, Cornell-Y. study says, Angie Welling
  4. ^ Edited by Malcolm J. Todd and Gary Taylor. Democracy and participation : popular protest and new social movements. London : Merlin, 2004.
  5. ^ Edited by Malcolm J. Todd and Gary Taylor. Democracy and participation : popular protest and new social movements. London : Merlin, 2004.
  6. ^ Edited by Malcolm J. Todd and Gary Taylor. Democracy and participation : popular protest and new social movements. London : Merlin, 2004.

External links

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